We weren’t about to let obscure hair bands corner the market on Greatest Hits compilations.

So we went through our extensive client catalog, grabbed some the best work we’ve done, set it all to music, and sat down to watch it. Two hours and eleven minutes later, we realized that we should probably shorten it a bit. After much gnashing of teeth and pulling of hair, we got it down to a clean, sharp minute and fifteen seconds.

If that’s not enough and you want to see it all, we have just one question for you: what are you doing for the next couple of days?

Pontiac was looking to make a statement.

So they put their best people on the task of creating an all-new Pontiac sports car, and pumped out the stunning new G8.

Fortunately, we got to work on it. Using raw CG data, we conjured up every sexy curve and every muscular body panel, and made the client very happy. Before we knew it, Pontiac had tossed us a number of additional projects.

Now that’s what we call a statement.

Leo Burnett sold Buick on a great idea: focus the marketing on the spacious and extremely comfortable seating in the new Enclave.

Buick loved it.

Leo Burnett asked for a pre-production vehicle to chop up.

Buick didn’t love that. They weren’t about to give up a prototype to be destroyed.

So Leo Burnett, under the gun, came up with another good idea: they called us. Using CAD data, we quickly rendered up a beautiful Enclave overhead without doing much damage to Leo Burnett’s overhead.

With Speedshape, even if you don’t have a prototype, you don’t have a problem.

If you don’t give your dealers enough footage, you’re the one who better start running.

But let’s face it: producing running footage isn’t easy. Shooting it takes a long time, it’s fairly expensive, and you never really end up with as much coverage as you ultimately need.

Unless you’re working with Speedshape.

Once we build the core assets, we can give you as many hours of rich, compelling running footage as you could possibly want. So if you’re an automotive manufacturer or agency that needs new model running footage, come up with a shot list and give us a call.

You’ll never have to worry about walking into a dealer meeting ever again.

Imagine throwing your leg over 34 consecutive Harleys.

We did just that when the opportunity came up to work with Harley’s interactive agency WhittmanHart. They wanted content for the web site as well as for their interactive 360 spins, and needed it for all of their models. Once we had it all built, we used rich photographic backplates to lend texture to the bikes and make sure they jumped right off the H-D web site.

We can’t wait to take the next 34 for a ride.